Tuesday, July 29, 2008

French Women Don't Get Fat by Mireille Guiliano

President and CEO of the champagne company Cliquot Inc. is the author of French Women Don't Get Fat . She is not a doctor or nutritionist but she offers commonsense advice like to eat with your heads and not leave the table feeling stuffed or guilty. Other steps include eating regular meals, increasing fruits and vegetables, drinking water, not stocking offenders at home and enjoying yogurt on a daily basis. She states that French women enjoy life from moment to moment which keeps them from seeking consolation in food. Colette, the author of Gigi, has described the table as "a date with love and friendship." By eating with our family and friends and enjoying our meals we'll get sensible pleasure from foods. By adding regular exercise we'll tone our body and mind.

A number of recipes are included, from a weight-loss enhancing leek soup to a lush chocolate mousse. The book is more like a French cookbook rather than an American diet book. Bonne chance!

Thursday, July 24, 2008

What We're Reading: The Soiling of Old Glory


The Soiling of Old Glory: The Story of a Photograph That Shocked America
by Louis P. Masur

On April 5, 1976 the city of Boston simmered with tension over forced school busing. News Photographer Stanley Forman arrived at a protest in time to take a photograph that would be seen around the world and would name Boston as a city mired in racism. In the photo Ted Landsmark, an African American, is being restrained by several white people while a young man rushes at him holding the American Flag as a lance. It appears that in the next moment Landsmark will be impaled on the flag.

The Soiling of Old Glory is a fascinating “biography” of the famous photograph. Author Louis P. Masur discusses the qualities that make this particular photo stand out from all others taken that day. He points out how photographs can be unreliable and unintentionally “lie”. One of the men appearing to restrain Landsmark was actually trying to help him up from the ground where he’d fallen, yet in the photo he’s frozen in time as one of the perpetrators.

The photograph is an echo of a Paul Revere engraving of the Boston Massacre, which took place on the same site. Only in a town like Boston could a street look much the same in 1976 as it did in 1770. In 1856 a reimagining of the Revere engraving added Crispus Attucks, a previously ignored black Revolutionary War hero, falling in the Boston Massacre at the end of a bayonet. The parallels to Forman’s photo are shocking.

In only a little over 200 pages we learn about photography, the political and racial history of Boston, the history of Old Glory as our country’s symbol, and about the individuals in the photograph taken that day. Masur tells us what happened to the main players in the incident, including the angry young man charging with the flag. This is a biography of people, a city, political history, a national symbol, and a photograph capturing one moment in history for all time.

Lĭt / uh / ruh / sē Äw / fĭs


Save the Book Review
Letters to the Editor: LA Times - July 22, 2008

As former editors of the Los Angeles Times Book Review (1975 through 2005), we are dismayed and troubled at the decision by Sam Zell and his managers to cease publishing the paper's Sunday Book Review.

This step signals the end of an era begun 33 years ago when Otis Chandler, then the paper's publisher, announced the debut of the weekly section. Since then, the growth of the Los Angeles metropolitan region and the avidity of its numerous readers and writers has been palpable.

For example, every year since its founding in 1996, the Los Angeles Times Festival of Books has attracted upward of 140,000 people to the UCLA campus from all walks of life throughout Southern California. Four hundred writers from all over America typically participate. The written word is celebrated.

It is the most significant civic event undertaken by the Los Angeles Times to deepen literacy and to strengthen the bond between its news coverage and its far-flung community of readers. But without the Book Review itself, the book festival will be a hollow joke.

The dismantling of the Sunday Book Review section and the migration of a few surviving reviews to the Sunday Calendar section represents a historic retreat from the large ambitions that accompanied the birth of the section.

To be sure, no section of any newspaper can remain hostage to past ways of covering the news of the day. We are convinced, however, that the way forward is to increase coverage of our literary culture -- a culture that every day is more vibrant and diverse in the thriving megalopolis of Los Angeles.

Angelenos in growing numbers are already choosing to cancel their subscriptions to the Sunday Times. The elimination of the Book Review, a philistine blunder that insults the cultural ambition of the city and the region, will only accelerate this process and further wound the long-term fiscal health of the newspaper.

We urge readers and writers alike to join with us as we protest this sad and backward step
.

Sonja Bolle
Digby Diehl
Jack Miles
Steve Wasserman

Can the LA Times Book Review Be Saved?
Witness LA: July 23, 2008 by Celeste Fremon

With the scheduled July 27 demise of the Sunday LA Times Book Review loomin
g ever closer, this past Monday morning former LA Times Book Review editor, Steve Wasserman, and three other former editors of the Book Review section—Sonja Bolle, Jack Miles, and Digby Diehl—wrote an open letter protesting the loss and urging people to join in the protest. They sent the thing to a list of publications ranging from our local blogs to the New York Times. LA Observed printed it first, followed by a short piece in Editor & Publisher. There was a mention in Publisher’s Weekly. This morning, Inside Higher Ed ran an impassioned column sparked by the letter. And when I last checked, the cultural reporter at the Lehr News Hour expressed an interest in running a small story on the issue.

Conversation w/ Steve Wasserman

America’s Most Literate Cities: Central Connecticut State University
Los Angeles, CA : 2007 - 53rd; 2006 - 57th; 2005 -60th

Sam Zell
Tribune Company
435 North Michigan Avenue
Chicago, IL
312.222.9100

L A Times

Chris K. Avetisian, Chief Financial Officer

Jack D. Klunder, President

202 W. 1st Street
Los Angeles, CA 90012
Phone: (213) 237-5000
Fax: (213) 237-7679

Thursday, July 17, 2008

Poet Laureate



Librarian of Congress James H. Billington today announced the appointment of Kay Ryan as the Library’s 16th Poet Laureate Consultant in Poetry for 2008-2009.



The Fabric of Life

by Kay Ryan

It is very stretchy.
We know that, even if
many details remain
sketchy. It is complexly
woven. That much too
has pretty well been
proven. We are loath
to continue our lessons
which consist of slaps
as sharp and dispersed
as bee stings from
a smashed nest
when any strand snaps—

hurts working far past
the locus of rupture,
attacking threads
far beyond anything
we would have said
connects.
Click here for more.

New This Week in AskWiki



This past week we’ve added a WWII archive site with photographs and scans of documents such as casualty lists, submarine reports and code books. There’s plenty more of very good quality.
I found and added an Enigma code site where you can type in a phrase and watch the encryption process. As you probably know, Enigma machines were used extensively by the Germans in WWII. It is generally thought the European war was significantly shortened when Allied cryptologists cracked the code.
After discovering a cache of postage stamps all with nice designs but no clue as to their postal value, I added Alphabetilately which has clear photos and reveals the denominations of all stamps. No longer will I mistakenly and ignorantly, spend $4.58 to send a simple first class letter.
We added an informative site about 529 college savings plans.
And finally, in Art, I added a link to SFMoma’s Frida Kahlo exhibit which has wonderful images and biographical information.

Tuesday, July 15, 2008

Remembering the 20th Century

RETRIBUTION: THE BATTLE FOR JAPAN 1944-1945 BY MAX HASTINGS

As a child growing up in San Diego I once saw Air Force Chief of Staff General Curtis Lemay. He was the Grand Marshall of what may have been a 4th of July parade, or perhaps an event that was a tribute to his impending retirement. The occasion and date are uncertain to me, but the impression of the man remains vivid after all these years. I’m not sure it would be so if not for the sense of awe expressed by my father and others of the World War II generation as the great man rode by. He was standing alone in the back of a convertible, portly in his Air Force blues, and chomping on his ever present cigar as he stared straight ahead and paid no attention to the crowds that lined the route. He looked impatient with the whole ordeal.

Lemay was famous as the architect of the centerpiece of America’s Cold War defense, the Strategic Air Command, but his fame began with his leadership of the strategic bombing campaign against Japan in World War II. He built the fleet of B-29 bombers that carried out the incendiary bombing of Japan and was in command of the flights that dropped the atomic bombs on Hiroshima and Nagasaki.

What most of us know about World War II in the Pacific theatre is how the war began with Pearl Harbor and how it ended with the dropping of the atomic bomb. We know very little of the context of either event or what came in between. The dropping of the atomic bombs, the enormity and shear horror of the event, seems to have removed it for current generations to a realm of abstraction wholly divorced from the conduct and exigencies of the war itself. Max Hastings had the idea of focusing on the last year of WWII in Europe and Japan in detail because he thought that the concluding chapters of these conflicts would have much to reveal about character and attitudes that were hallmarks of the conflicts in their entirety, that the ending events laid those things bare and brought them most sharply into focus. His previous much celebrated book on the ending of the conflict in Europe, Armageddon, is a companion to Retribution.

There are a number of distinguished achievements in Retribution. Hastings is a writer of compelling historical narrative. The recounting of events is clear and the analysis seems fair. He avoids the failings of “military history” that often get bogged down in the arcane details of command and tactics, in individual battles rather than the larger picture of campaigns and strategic objectives. The author has also worked into his narrative original research from first hand interviews with survivors that add a significant poignancy to his account. Hastings greatest accomplishment however is that he has risen above the partisan historical debate of what will probably be debated without end, the concluding events at Hiroshima and Nagasaki, the argument about whether or not dropping the atomic bombs on Japan was necessary to end the war, the suggestion that the decision had more to do with the United States trying to intimidate the Soviet Union in its post war march to hegemony in so many parts of the world than defeating Japan, and what has become a pervasive modern view that racism against the Japanese had much to do with the decision to drop the bomb on Japan, that such a choice would never have been made if the bomb had been available to end the war in Europe. It is Hastings singular achievement that when the reader comes to the closing chapters about the decision to drop the atomic bomb he does not feel that his narrative prelude has been fashioned to stack the deck in favor of one conclusiion or another. His account of the last year of the war is indeed startling, but it has the aura of objectivity and scholarly integrity. He indulges in few personal asides. The one that is perhaps most memorable is his reference to the “inadequate divinity” of the Emperor Hirohito.

Hastings examins the British war against the Japanese in the Burma theatre, the Japanese war and occupation in Manchuria, MacArthur’s battle for the Philippines, Iwo Jima, Okinawa, and the fire bombing of Japanese cities. A compelling case was made not so long ago about the racism of both sides of the conflict in John Dower’s War Without Mercy, which explores in detail the iconography and propaganda of the Pacific war. Hastings it seems would not deny that, but his argument is that the implacable attitudes of the War in the Pacific grew more out of the conduct of the war itself than any preexisting racial attitudes. The Japanese treated prisoners and captive populations with a brutality that was not equaled in World War II. The enslavement and license taken with other Asian captive populations in Manchuria, Korea, and Indochina was predicated on a Japanese sense of racial superiority to these groups. The Americans were viewed by the Japanese as a mongrel race and the attack on Pearl Harbor, which in retrospect seems simply a miscalculation of the highest order, was founded on the Japanese view that Americans would be demoralized rather than rallied by the attack, that they had little will and stomach for a fight with an enemy that, as they saw themselves, possessed so bold and tenacious a spirit.

But in addition to the extraordinary lack of mercy that Japan showed to its enemies and captives, it culturally encoded a lack of mercy towards its own forces. To its enemies this was something that seemed an unsettling madness. This code of military conduct and honor is what resulted in the self immolation of the kamikaze squads and the expectation among the Japanese high command that Japanese soldiers would not surrender but would fight to the last man. This was, in practice, the code they invariably followed, whether it made strategic sense to do so or not. The Japanese leadership wanted to make it clear at Iwo Jima and Okinawa that the cost to Americans of confronting Japanese ground troops would be tremendous to Americans. There would be no surrender. The Japanese made this argument convincingly, but ironically it was in service of their own doom. They did not know about the atomic bomb. They made the dropping of the atomic bombs on Japan a more compelling choice for the Americans than attempting to invade the Japanese home islands in a conventional assault that would have prolonged the war and resulted in tremendous casualties.

There was a sense of hubris among the Japanese leadership that seemed to result in miscalculations and delusions about the conduct of the war that are simply astonishing. It is arguable if this had a racial basis, but an enemy that showed its captives and itself no mercy was not likely to receive it from its enemy, whatever the racial predispositions of the enemy. That the Japanese took on a nation with so much more material wealth and industrial resources than itself was a terrible miscalculation. The United States was able to turn out an endless stream of technologically superior ships and airplanes and inflict losses from which the Japanese could not recover. And they were exactly the resources that could be used to most damage the Japanese. More than anything else, Japan’s fate was sealed by its island geography and the blockade of the U.S. Navy. Lemay’s B-29 bombing raids also helped destroy Japan’s war making ability, but there can be no doubt that they had as a major objective the killing of Japanese civilians. The conduct of the war in Europe had made the killing of civilians part of the strategy of modern war, and it is often forgotten that in March of 1945 the fire bombing of Tokyo alone killed over 100,000, more than were killed by the dropping of the atomic bomb on Hiroshima. The incendiary bombing of Japan had killed over 200,000 civilians by the time the decision was made to drop the atomic bomb. It can plausibly argued that those who dropped it understood it less as a new kind of weapon than one that in enormously greater degree allowed them to continue with a strategy of war they had been pursuing all along. The vulnerability to blockade and the at-will destruction of its major cities was not enough to bring the Japanese high command to a rational view of its predicament. Just before Hiroshima they remained unwilling to accept the Allied demand for unconditional surrender and still felt they could negotiate an end to the war that would allow them to keep Manchuria and Formosa, something that was wildly unrealistic. Even after the bombing of Hiroshima the Japanese high command was unwilling to surrender. It took the bombing of Nagasaki, the agitation of a civilian peace party, and the cover provided by Hirohito’s insistence that the war be ended to get the Japanese military to agree to surrender.

There are good reasons for reading history beyond its supposed “lessons,” but perhaps Retribution contains at least a few of them of particular relevance to our times. Hastings agrees with Tolstoy’s notion that great events take on a life of their own. While we can understand the idea, it’s not a formulation with which we should be comfortable. The argument is that events can have a logic of their own, that they force actions and decisions that were not anticipated, that options become unexpectedly narrowed or broadened, that decisions that were previously unthinkable become choices of constraint or necessity, and that we are unable to control consequences of unleashing deadly forces. But when you give events a sentience of their own you are also absolving yourself of what ought to be one of the responsibilities that come with choosing to engage in a conflict. When you engage in a war, you chose to accept responsibility for not only what you think are the consequences you control but those that are inevitably unforeseen and that you may not be able to control at all. There ought to be no ambiguity or extenuation about this.

The other lesson is that in victory we tend to forget about the mistakes, needless deaths, the idiocy and waste that occur in the prosecution of a war. In the distant perspective of history, victory seems to redeem all, and we don’t often revisit these. It is to Hastings merit that he has had the courage to do so. It is perhaps the most bitter lesson of all about the nature of war, the realization that it involves us not only in paying the price for victory but always paying so much more than victory required in lives, in treasure, and honor.

Monday, July 14, 2008

What We're Reading - Fearless Fourteen by Janet Evanovich

Stephanie Plum has returned and is in fine form in Janet Evanovich's new book, Fearless Fourteen. This time around we're dealing with a missing $9 million dollars that may [or may not] be buried on Joe Morelli's property, Grandma Mazur playing online video games, potato guns [there is a difference between using baked vs. raw], Bob the dog has something new to eat, a psychic stalker, the usual tension between Ranger and Moreilli for Stephanie's affection, Rex the Wonder Hamster, a few pizzas, donuts and a disastrous visit for take out chicken and Lula's planning a wedding. Oh did I mention that Stephanie is now driving the "Zook Mobile"? And how about a monkey named Carl?

If the above makes sense to you then you've read Evanovich before, if not and you're looking for a good chuckle or two, then pick up Fearless Fourteen [or any other number available] and enjoy.

Visit the author online at http://www.evanovich.com/index.html

Thursday, July 10, 2008

What We're Reading - Severance Package by Duane Swierczynski

Back in 2006 I posted about The Blonde [which I loved] so after a publishing delay, it was with great anticipation that I picked up Duane Swierczynksi's new book Severance Package. Find out what happens when an unexpected Saturday staff meeting traps the office staff on the 36th floor and turns out to be a bosses' unique way to "terminate" one's employment. Lover's of edgy crime/noir writing will love it. Mix in some some espionage elements, a ton of fast paced action, peppered with a twisty plot and more than enough tough, violent scenes that beg for Quentin Tarantino to direct the film version and you'll have a perfect piece of summer escapism to read. I also highly encourage you to read both of our other Swierczynski novels The Blonde and The Wheelman and then you too can join me in misery and wait for his next novel.

To keep up-to-date with Duane Swierczynski, visit his Blog

Thursday, July 03, 2008

What We're Reading: The Dancer and the Thief

Antonio Skármeta, author of The Postman, has crafted a leisurely novel that is both gritty and poetic, which is an impressive combination. In his latest work of fiction, The Dancer and the Thief, a number of nonviolent prisoners in Chile are released due to overcrowding; among them is a young man accused of stealing a horse and an older gentleman whose safe-cracking abilities are legendary and romanticized by all. The young man, Ángel, has two wishes: to kill the warden who had made him suffer violence and humiliation in prison, and to convince the older thief, Nico, to partake in one last great robbery with him. The warden, fearing for his life, secretly releases one more inmate to murder Ángel.

Once free, the young man falls for an expelled student and graceful ballet dancer by the name of Victoria Ponce. He spends his time courting her and trying to convince his elder to join him in the ingenious plan. The book's story seems to go in slow motion; for a time I wondered if anything would actually happen. However, in the end, you see that it was simply a slow boil. The story suddenly lurches into action and you wonder...will it have a happy ending?

...sorry, you will have to read to find out!

New This Week in AskWiki


New this week in AskWiki
We've added Dave's Garden a wonderful site for sharing plants, seeds and information.
And Californai Hike suggests and describes “out there” places for when you’re up for a little wild rambling.
There are several new travel sites. WayMarking provides (free!) a way to discover and share interesting places, planet-wide and Let's Go has travel news, destination information, blogs and book reviews.
If you’re not leaving your armchair, take a look at VisuWords, a visual dictionary that shows word connections as well as meanings and you can add to the heap on Wordie by making word lists, adding comments and really taking a good look at words with links to etymology sites, dictionaries and thesauri.

Wednesday, July 02, 2008

Lĭt / uh / ruh / sē Äw / fĭs

July 2: National Literacy Day

July 2nd, has special significance, it is the actual date of the signing of the Declaration of Independence and it is also the date the Civil Rights Act of 1964 was signed.

People who can't read can't practice their freedoms or rights, due to their lack of education. July 2nd is also the anniversary of Focus On Literacy, Inc. Box 1504, Laurel Springs NJ 08021 - 856.629.7989

. . . came across this @ First Book by guest blogger: Rachael Walker, Reading Rockets

Every Fourth of July I think about Thomas Jefferson, author of the Declaration of Independence, and his often quoted words, “I cannot live without books.” That our own democracy has grown and flourished owes much to Mr. Jefferson and his Declaration, but also to the rise of the printed word.

Independence Day is a great time to share books with children. Reading Rockets has a Celebrate America list of recommended reading for children ages 0-9. Use this list to throw together a book-nic to go along with your Fourth of July barbeque and read about real and legendary American heroes and heroines, revisit classic American songs, and follow the adventures of travelers across the United States while you wait for the fireworks.

You can also read aloud the Declaration of Independence together. The concepts outlined in this famous document may be difficult for young children to understand so you may want to consider some strategies for pre-teaching concepts and vocabulary before you get started.

I picked up some great new Fourth of July reading at the American Library Association (ALA) convention last weekend in Anaheim, California, including a proof of Our White House: Looking In, Looking Out which is due out in September. Using the White House as the unifying theme, more than one hundred authors and illustrators help share more than 200 years of American history in this inspiring read-aloud anthology, sales of which will benefit the National Children’s Book and Literacy Alliance, a Reading Rockets and AdLit.org partner.

And at the ALA convention, I was also reminded about why libraries are so very important to our country and how they serve to improve our democracy. Check out these 12 Ways Libraries Are Good for the Country. What else would you add to this list?

Tuesday, July 01, 2008

Hero by Perry Moore

GAY TEENS
HERO
BY PERRY MOORE

Perry Moore is the executive producer of the Narnia films. This, his first novel for youth, bears some affinities to the C.S. Lewis saga, chiefly in that it belongs broadly to the fantasy hero genre. But the world inhabited by Moore’s characters is that of the classic comic book and its diversity of superheroes, not the fantasy world with its Christian allegorical symbols and characters that Lewis created.

Thom Creed is a young teenager who is the son of a has- been superhero. His father, Hal Creed, the former leader of the world’s superheroes is living as an outcaste from the League of Superheroes and has been disgraced in the eyes of the public at large for reasons that are only gradually revealed to us. He is forced to earn a rather poor living for his family in a menial job. Thom’s mother simply disappeared one day. Hal Creed forbids his son to even play with superhero toys in his childhood and hates any mention of the League of Superheroes. He has also made homophobic comments to his son. Thom is forced to deal alone with the growing realization that he is gay and also that he himself has unique superpowers that are beginning to manifest themselves, powers that are important to his sense of self worth and that he also feels morally obligated to use. He secretly joins the League of Superheroes.

It is evidently Moore’s ambition here to expand the literary world that young gay characters can inhabit in fiction written for teens, to move beyond the weary and redundant model of the “gay problem” novel where the realization about sexual orientation is accompanied by fear of a hostile family or social reaction and where often those worst fears are realized. So he has produced a novel where the traditional problems are a co-plot or a subplot and where the major action, which takes place in a world of superheroes, is the matter of central interest. We witness the trials of a superhero who just happens to be gay.

Does this mixture work? Has the author successfully done something that is transformative and somehow liberating for gay teen literature? The problem it would seem is that there are two substances here that as a matter of literary physics just won’t mix, that the task set was one that couldn’t be accomplished. Moore is never able to achieve the integration of meaning and action that Lewis did. One thread of the story does not comment meaningfully on the other. The “gay problem” subplot is conventional, but worse, any sympathy for the main character is largely eroded because the action of the story takes place in a world of superheroes. You can try to imbue a superhero with “real emotions” but real human emotions are not of very much interest or credibility to us in the superhero genre. Our interest in superheroes is largely centered on their lives of action. We don’t care much about the rest of their lives. The fantasy we live through them is that, unlike us, they are able to act quickly and effectively because they are unencumbered by the ambiguity and hesitations of our emotions, the things that make us human. Their motivations are fixed, exist apriori, and define along with their special powers who they are and must invariably be. Trying to integrate the two worlds results in places where dialogue and emotional reaction seem inappropriate to the world of real emotions and speech, however much they might be in keeping with what we would expect in a superhero comic. We are left wondering if we are supposed to accept these expressions as expected bravado or as humor, but we never are inclined to accept them as real emotion. The superhero elements seem to teeter at times on the brink of satire while the gay coming of age story seems thin, extraneous, and emotionally suspect.

The merit of this book is that, while it says nothing it seems of much interest to a teen about being gay, the superhero story is successful, so if you like that genre, well maybe this is for you. The novel in both its successes and shortcomings makes you think about what exactly is gay fiction for teens, the kinds of limitations that are perhaps inherent in such a genre, and how they might be escaped. A noble attempt to shake things up.

"The Open Road" by Pico Iyer

Tenzin Gyatso, the 14th Dalai Lama, was his country's ruler until the Chinese takeover of Tibet forced him into exile. Since 1959, he lives in Dharamsala, India, close to the border with Tibet.

Dalai Lama (lama means spiritual teacher) has been influential in bringing Tibetan Buddhism to foreign cultures. He was awarded the 1989 Nobel Peace prize, and even though he's in his 70s, he continues to travel the world tirelessly.

Meanwhile, the travel writer Pico Iyer - born in England of Indian parents is a journalist and essayist and has explored the borderlines between East and West in his writings. He begins The Open Road with his personal history : meeting in 1959 in Dharamsala between the Dalai Lama and his father, a professor of philosophy. He portrays the community of Tibetan exiles in Dharamsala, but mainly the book is an extended profile of the Dalai Lama as man, monk, leader and icon.